Artist Will Stokes is a fixture at the Fabric Workshop and Museum in Philadelphia, and with good reason.
Others have written (notably in the catalogue for his 2007 solo show) about how Willie has retained a remarkable singularity of vision, despite decades of exposure and interaction with the numerous artist-in-residence alumni from FWM. His early work from the 1970s is of-a-piece with what he continues to do today. Throughout, Willie has starred in his own pictures, becoming a kind of self-made celebrity denizen of his painted world. Looking at photographs of Willie through the years, you can track his sartorial evolution, which carries over into the paintings. “The Kid,” his alter ego, is Willie at his most dapper and daring. The moniker elevates him to the status of the single-name musicians he depicts—Prince, Madonna, Beyoncé—while evoking a slew of popular references reaching as far back as the Charlie Chaplin film of the same name, up through songs like War’s “The Cisco Kid.” It also connotes a character with a bit of playful rakishness, which peeks from beneath Willie’s even-keeled exterior now and again.
Original source: Title Magazine
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